Third Narrative | Tahmasebi House of Babol and the influence of culture on the house’s form
Tahmasebi House in Babol through Rapoport’s lens: why a house is a cultural institution before a physical structure, and how culture shapes its form.
Tahmasebi House in Babol through Rapoport’s lens: why a house is a cultural institution before a physical structure, and how culture shapes its form.
The Zamani brick kiln of Babol — why architectural history is not merely a record of the past, but both a cultural identity and a tool for building the future.
Mirza Yousef Bathhouse, a registered national monument in Babol — in use until less than twenty years ago, set apart by its unusually large sarbineh.
Kiarostami’s Through the Olive Trees, part of the Koker trilogy — Iran’s entry in The New Yorker’s list of the best films in seventy years of Cannes.
Kiarostami’s Where Is the Friend’s House — Bronze Leopard winner at Locarno 1989, and among the BFI’s 50 films to see before turning twelve.
In architecture water does more than sustain life; it shapes form. Why pitched roofs and correct runoff drainage matter so much in a rainy climate.
Soil is architecture’s hidden narrator — from stone holding history within it to warm brick recounting the story of walls. A journey into materials.
Wind is not only a source of renewable energy, but it also plays a significant role in architectural design.
Sunlight is not only illumination; it shapes the depth and feeling of a space — from openings to the coloured glass rooted in Iranian architecture.
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